Chinese Character - Exhibition of Chinese Abstract Art

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Exhibition of Chinese Abstract Art

Most of these artists have practical knowledge in both oriental and occidental culture, especially the ability to think about cultural problems and the ability to search for personal expression. At the same time, almost every one has received very strict training in realistic depiction. Though
they have different reasons and approaches to abstract art, they share an aesthetic logic in their search for free expression and a comprehensive understanding of innermost being.

From the relationship between the mind and the mood of the Daoism, artist Qiu Shihua understands the meaning of vacant time and space; as for Li Huasheng, who draws from the traditional Chinese landscape painting to develop the value of temperament through repetitive strokes.

Wang Chuan benefits considerably from the great abstract expressionists like William De Kooning and Robert Motherwell, etc. His creations following a life-and-death struggle, have turned quiet, unconventional, and even elegant.

Shen Chen is looking for the implication of freedom by fusing the abstract language of the West with the free and natural state of the East. Chihung Yang, despite of his mastery of the essence of the American abstract expressionism, has a deep understanding of the Chinese natural symbolism and the
tradition of mysticism. He still makes works full of oriental atmosphere.

As a representative of Chinese ‘experimental ink painting’, Liu Zijian’s ‘black painting’ is in terms of its spirit very much like the free and unfettered journey of the modern version. Because of an indulgence in modern French formalism, Zhou Li’s art seems especially to be
intelligent and transparent. Her identity as an oriental female can only be explained by the elegant and sensitive quality of her work. Lin Yan’s art originally comes from the concept art of ‘minimalism’; she uses the Oriental media of the (xuan) paper and the ink to enrich the
‘minimalism’ with greater cultural dimensions.

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